As the apes in Rise were meant to be real, the producers decided not to use actors in suits. After considering real apes, instead Weta Digital created the apes digitally in almost every case through performance capture.[19][20][21] Almost 1,500 visual effects shots were previsualized.[22] Advances in the technology allowed the use of performance capture in an exterior environment, affording the film-makers the freedom to shoot much of the film on location with other actors, as opposed to the confines of a soundstage.[23][24] The main breakthrough was a camera that enabled viewing the motion capture dots in daylight, employed mostly for the Golden Gate Bridge battle.[25] A maximum of six actors could have their movements captured, with larger ape crowds using fully digital animals animated using Weta's move library. The Golden Gate Bridge set used both a physical set which was extended digitally, and a fully computer-generated model of the bridge that also included the ocean and nearby hills.[26]
Rise Of The Planet Of The Apes 2 Full Movie Download In 65
Roger Ebert gave the film 3 out of 4 stars and praised the role of Caesar and Andy Serkis by stating it was a "wonderfully executed character" and "one never knows exactly where the human ends and the effects begin, but Serkis and/or Caesar gives the best performance in the movie."[39] Giving the film 5 out of 5 stars, Joe Neumaier of Daily News labeled Rise of the Planet of the Apes as the summer's best popcorn flick.[40] Nick Pinkerton of The Village Voice wrote, "Caesar's prison conversion to charismatic pan-ape revolutionist is near-silent filmmaking, with simple and precise images illustrating Caesar's General-like divining of personalities and his organization of a group from chaos to order."[41] Roger Moore of Orlando Sentinel wrote, "Audacious, violent and disquieting, "Rise of the Planet of the Apes" is a summer sequel that's better than it has any right to be." He gave the film 3.5 out of 4 stars.[42] Manohla Dargis of The New York Times praised the film by saying, "Precisely the kind of summer diversion that the studios have such a hard time making now. It's good, canny-dumb fun." She also gave it 3.5 out of 4 stars.[43]
Taking place ten years after Rise, Dawn follows Caesar's growing nation of evolved apes. Andy Serkis, Terry Notary and Karin Konoval reprise their roles as Caesar, Rocket and Maurice.[64] James Franco returned as Will Rodman in a "cameo via video".[65] Dawn of the Planet of the Apes was released July 11, 2014.
The novel is a satire that follows French journalist Ulysse Mérou, who participates in a voyage to a distant planet where speechless, animalistic humans are hunted and enslaved by an advanced society of apes. The ape species are sorted into classes: the gorillas are police officers, the chimpanzees are scientists, and the orangutans are politicians. Eventually, Mérou discovers that humans once dominated the planet until their complacency allowed the more industrious apes to overthrow them. The story's central message is that human intelligence is not a fixed quality and could atrophy if taken for granted.[1][2] Boulle considered the novel one of his minor works, though it proved to be a bestseller. British author Xan Fielding translated it into English; it was published in the United Kingdom as Monkey Planet and in the United States as Planet of the Apes.[3]
Heston played 20th-century American astronaut George Taylor, who travels to a strange planet where intelligent apes dominate mute, primitive humans. Kim Hunter and Roddy McDowall played the sympathetic chimpanzees Zira and Cornelius, and Linda Harrison portrayed Taylor's love interest, Nova. Maurice Evans played the villain, orangutan Minister of Science Dr. Zaius.[14] The finale, in which Taylor comes upon a ruined Statue of Liberty and realizes he has been on Earth all along, became the series's defining scene and one of the most iconic images in 1960s film.[15] Planet of the Apes was released on February 8, 1968, and was a smash success with both critics and audiences. It was one of the year's 10 biggest money-makers in North America, taking in an estimated $22 million (nearly four times its budget) and earned rave reviews.[16][17] John Chambers received an honorary Oscar at the 41st Academy Awards for his make-up effects, the first ever given to a make-up artist.[13] Jerry Goldsmith's score and Morton Haack's costume design also earned Oscar nominations.[18] Fox approached Jacobs and Abrahams about filming a sequel. Though they had not made the film with sequels in mind, its success led them to consider the prospect.[19]
The story follows Franciscus's character, an astronaut who, while searching for Taylor, inadvertently follows him into the future. After encountering the apes from the first film, Brent finds Taylor imprisoned by a colony of subterranean human mutants who worship an ancient nuclear bomb. Kim Hunter, Maurice Evans and Linda Harrison returned as Zira, Zaius and Nova.[27] David Watson replaced Roddy McDowall as Cornelius, as McDowall was unavailable due to a scheduling conflict.[28] James Gregory played gorilla General Ursus and Paul Richards played mutant leader Méndez. The film opened on May 26, 1970.[27] Unlike its predecessor, Beneath was poorly reviewed; critics typically regard it as the worst of the Apes sequels other than the last one, Battle for the Planet of the Apes.[29] Nonetheless, it was a major box office hit, nearing the original's numbers. Despite a conclusion depicting the planet's nuclear destruction, Fox requested another sequel, creating a series.[30][31]
Following Escape, Conquest is set in a near future where humans have turned apes into slaves; Caesar rises from bondage to lead an ape rebellion. The film opened on June 30, 1972.[42] Reviews were mixed, but the ending left the series open to another sequel and Conquest was successful enough at the box office that Fox commissioned another film.[43]
Battle follows Caesar as he leads the apes and their human subjects after a devastating war that destroyed much of the planet. He contends with both an attack by radiation-scarred human mutants and a coup attempt as he attempts to build a better society for both apes and humans. McDowall returned as Caesar and Severn Darden returned as Kolp. Paul Williams played the orangutan Virgil, Austin Stoker played MacDonald (the brother of Hari Rhodes' character) and Claude Akins played the gorilla general Aldo. John Huston played the orangutan Lawgiver in a frame narrative.[49] The film opened on May 2, 1973. It made a profit over production costs, but received poor reviews from critics, who regard it as the weakest of the five films.[50]
The plot concerns three American astronauts, Bill Hudson (Tom Williams), Jeff Allen (Austin Stoker, who played MacDonald in Battle) and Judy Franklin (Claudette Nevins), who inadvertently journey to Earth's far future. They find the world populated by three groups: mute humans who inhabit desert caves, subterranean human "Underdwellers" fashioned after the mutants of Beneath and civilized apes who subjugate the humans. Through the show, the astronauts become increasingly involved in the planet's affairs and in defending the humans against an ape invasion. The cast featured characters based on those from the previous films and TV series, including Nova (Nevins again), General Urko (Henry Cordin), Zira (Philippa Harris), Cornelius (Edwin Mills) and Dr. Zaius (Richard Blackburn).[62] NBC broadcast 13 episodes between September 6 and November 29, 1975. The show did not achieve particularly strong ratings. The network considered producing a second three-episode season to complete the storyline, but this never materialized.[63]
After the collapse of the Stone-Hayes project, Fox brought on Chris Columbus to develop a new Apes concept. Columbus hired Sam Hamm to write a screenplay taking elements from Boulle's novel and various unused treatments. In Hamm's script, an ape astronaut from a distant planet unleashes a devastating virus on Earth. Scientists go to the astronaut's planet, where apes hunt humans; they locate a cure but return to find Earth overrun by simians. Schwarzenegger remained attached, but Fox found the script underwhelming. Columbus left the project in 1995 after his mother's death and James Cameron stepped in to produce. Cameron intended to go in a "very different direction" with the script, but following the critical and financial success of his film Titanic, he dropped out of the project. Fox approached a series of directors to take over, without success.[68]
The film stars Mark Wahlberg as astronaut Leo Davidson, who accidentally travels through a wormhole to a distant planet where talking apes enslave humans. He leads a human revolt and upends ape civilization by discovering that the apes evolved from the normal Earth primates who had accompanied his mission and had arrived on the planet years before. Helena Bonham Carter played chimpanzee Ari, while Tim Roth played the human-hating chimpanzee General Thade. The film received mixed reviews; most critics believed it failed to compare to the original. Much of the negative commentary focused on the confusing plot and twist ending, though many reviewers praised the special effects.[70][71] The film succeeded at the box office, taking in $362 million worldwide.[72] Fox had initially hoped for a sequel, but the difficult production left Burton unenthusiastic about participating, and the film failed to generate enough interest for the studio to pursue a follow-up.[69]
The series, and particularly the live-action Apes television show and the Return to the Planet of the Apes cartoon, generated numerous toy and merchandising tie-ins. During the 1970s, Fox licensed around 60 companies to produce about 300 different Apes products, including action figures and playsets, model building kits, coloring books, book-and-record sets, trading cards, toy weapons, costumes, apparel, branded tableware, and lunch boxes. This level of merchandising was unusual for the time and the success of Apes merchandise may have inspired the campaigns that later became commonplace for films and television series.[126] The action figures, sold by Mego beginning in 1973, were the first such toys sold as film tie-ins; they proved popular and inspired the rise of action figure series based on popular culture franchises.[127] Eric Greene writes that Apes toys were popular enough to lead some contemporary children to engage in apes-vs.-humans role-playing make believe games that simulated the series' conflicts in a manner similar to "Cowboys and Indians".[126] With the release of the 21st-century films, Fox licensed several companies to manufacture new Apes toys, including detailed action figures of new and "classic" characters sold as collectibles.[128] 2ff7e9595c
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